Better Lightrays

 

Video Tutorial

 

 

One of my favorite filters in motion is the Lightrays effect. It looks awesome on text, and bright parts of your image. The only problem with it is well….it adds it to the whole image and not just part of it. This is were my Better Lightrays comes in. I’ve included two different effects here, both the original lightrays filter from Motion 5 and my Better lightrays effect and really take a look at what you can do.

 

The Power of Threshold

One of the things I used to create this effect for Final Cut Pro X, was to use a image mask with threshold. This way you can control what is affected by the light rays filter. I even added a blur option so it wont be so hard on the mask. As I started to use this and see how it worked I quickly realized that I needed to be able to limit the effect even more at times. Thats where the mask 4 point mask comes in, and the ability to even colorize the rays.

 

 

Features

  • Custom Installer
  • 4-Point mask built in
  • Brightness Threshold Mask
  • Blur Mask Control to soften the edges of the mask
  • Custom On Screen Controls
  • Colorize the Light Rays
 

Screenshots

FCPX Generator: Color Gradients

So here I have created some Gradient Generators. I took a look online and I found a few that were meant to be used as effects and not as generators. This is great because it avoids having to have another layer (connected clip) on your timeline but sometimes you just want a Gradient as a background. So here are 2 different Generators one is a 2-Color Gradient Generator that can be either liner or radial. The second is a 3-color Gradient Generator that can also be liner or radial.

2-Color Gradient

  • Has on screen controls for Start and End Points
  • Custom Color picker for both Start and End Point Colors (unlike the built in one)
  • Start and End Points can be Keyframed
  • Type of Gradient: Linear or Radial

3-Color Gradient

  • Has on screen Controls for Start and End Points
  • Custom Color Picker for all 3 colors
  • 2nd Color location slider (where on the line is the 2nd color located)
  • Start and End Points can be Keyframed
  • 2nd Color Location can be Keyframed
  • Type of Gradient: Linear or

 

FCPX: Blend Modes on Storylines

On Creative Cow today, someone was asking about blend modes and story lines. Well actually it was they had a connected clip with a blend mode then added a transition and BAM the blend mode no longer worked. Well I’ve run into this before and never thought to say anything about it because well it makes sense why this happens. Once you add a transition the connected clip converts to a Secondary Story Line, and you can not use Blend Modes between Story Lines. This was really obvious with Final Cut Pro 10.0, you had to convert your connected clips to a secondary Story Line manually to add a transition, ok thats great but with the first update 10.0.1 you now can just drag a transition to a connected clip. The thing is when you add a transition to a connected clip it is automatically converting that connected clip to a Storyline we just no longer have to manually do it ourselves. So a trick I found that has worked for me if I need to use a transition, is take what ever clips you want to use with a transition (it doesn’t matter what type of transition) and create a compound clip with those clips, then add your transitions. But do not add a transition to nothing, it will create the transition going from black to your clip, put in a slug (or gap) beforehand (use “option+w’ it inserts a gap) then you can back out of your compound clip and choose a blend mode and your transitions still works. Basically by creating a compound clip of your connected clips you are moving them to the Primary Story line of that compound clip. Now you can add all the transitions you want, move back out of the compound clip and in your main timeline the compound clip is not a Story Line that does not take blend modes but a connected clip and you can then add whatever blend mode you want. Now this is a long work around if you are simply trying to add a cross dissolve in but if you were using more complex transitions like lens flares or my flip transition with a blend mode this works.
 
 
::::UPDATE::::
 
So Apparently you can just Right Clip on a transition and change it so it doesn’t render on black.  
That means you do not need to add a gap (you still can, but why) inside your compound clip, just make sure your right click and tell it not to render on black.
 
I created a cheat sheet so you can see how it is supposed to be set up.